Thursday, August 9, 2012

''Freak Guitar - The Road Less Traveled'' Mattias Eklundh

- David "Skinny Devil" McLean
originally published at Tinfoil Music
Date: Tuesday, August 30 2005 @ 15:49:37 BST
 
When the package arrived from the mail, it was totally unexpected. When I opened it, it revealed the new release by Mattias Eklundh (you can read my December 2004 "Guitar Gods" interview with him HERE). Naturally, I ripped the plastic from it as I dashed to the CD deck.
 
If you haven't heard of Mattias "Freak Guitar" Eklundh, you are missing out on some of the best guitar-centric music on the planet. Unreal sounds pour forth in a frothy, frantic, bubbling stew of sound guaranteed to stun you at every turn. The new release, "Freak Guitar - The Road Less Traveled" (Favored Nations, 2005) is no exception. In fact, it may well be his best work yet.

''GUITAR GODS: Jason Becker''

David "Skinny Devil" McLean
originally published at Tinfoil Music
Date: Tuesday, December 07 2004 @ 15:32:06 GMT
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The tragedy of Jason Becker often overshadows technical brilliance of his performances and the scope of his musical offerings, but today we celebrate the man & his music.

Jason began with guitar at a very early, and before he was 20 years old he had already recorded with friend Marty Friedman (see Marty's "Guitar Gods" interview here) for Cacophony's "Speed Metal Symphony", toured the world (especially Europe & Japan), and more. How much more? Try another Cacophony album (1988's "Go Off!"), a solo album ("Perpetual Burn", also in 1988), guest spots on recordings by Marty Friedman, Greg Howe, and Ritche Kotzen (see Greg's "Guitar Gods" interview here), a Hot Licks instructional video, various "best new guitarist" awards, and the covers of numerous guitar magazines.

At the ripe old age of 20, Jason was recruited by none other than David Lee Roth to replace Steve Vai (go here for our Vai interview & lesson), and found himself in the studio recording "A Little Ain't Enough" (1991). It was while wrapping the recording sessions that Jason was diagnosed with ALS. He dropped from the band before the tour, but continued to record in his home studio, ultimately completing a second solo album, "Perspective" (1996). "Raspberry Jams" (a collection of demos) was released a few years later, followed by "Blackberry Jams".

While his many friends & peers have stepped in on his behalf - Eddie Van Halen campaigned to have "Perspective" released on Warner, and other guitar stars contributed trax to "Warmth in the Wilderness: A Tribute to Jason Becker " (Marty Friedman, Paul Gilbert, Vinnie Moore, Chris Poland, Jeff Watson, Mike Campese, Stevie Salas, and more) and "Warmth in the Wilderness 2" (Steve Vai, Randy Coven, Rusty Cooley, Joe Becker, and more) - it's worth noting that Jason continues to work on new music. While he is unable to play guitar and is extremely limited physically due to ALS, his mind is full of deep ideas for new music.

It is also crucial that we realize the enormous impact Jason had on guitar music in such a short time. While he is certainly not a household name, Jason has inspired more guitarists to great musical heights with just a few recordings than perhaps anyone since Jimi Hendrix. Part of this is certainly because Jason is such a nice guy; part of it due to his unique circumstances. But none of that holds any water without extreme talent. Even a cursory listen to Jason's work will dazzle even the most finicky and hard-to-pease listener. With unbelievable technical command of the instrument and an uber-modern sense of harmony, Jason exploded onto the scene and will continue to influence budding guitar gods for decades to come.

To keep up with new developments from the Jason Becker camp (and to hear music, see video, and more), visit his web-site.


I had a chance to rap with Jason recently. Check it out!

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1. What are your current projects?

I am hoping to write new music with lyrics. That will be a big challenge. I would also like to put out a "Best of" CD with a couple of new things on it, but I don't see the point, because my records don't really sell shit.

2. How does this (do these) differ from your past work?

My new music would be less complicated - more like Peter Gabriel.

3. Do you have one project that you are most proud of as a guitarist?

Oh, I guess "Images", "Opus Pocus" and "Meet Me In the Morning" and some "Raspberry Jams".

4. Can you give our readers a run-down of your basic gear?

Mostly a 100 watt Marshall, Seymour Duncan JB, Boss super overdrive, and really, any good guitar and effects thing.

5. Who would you cite as early influences, and who are your favorite new players?

Clapton, Beck, Hendrix, Roy Buchanan, SRV, Eddie Van Halen, Morse, Yngwie, Uli Roth, Marty Friedman and Steve Hunter. There are some really good players on Favored Nations and Liquid Note Records, but I don't know their names.

6. Can you give a few tips to aspiring players?

Practice a lot, listen to different kinds of music to get your own style, be a nice person, learn from everyone you can, don't be a snob, and get yourself heard anywhere.

7. What are your future plans?

Stay alive.

8. Thanks for talking to us, Jason!

My pleasure. Thanks, man.
 
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Tuesday, August 7, 2012

Free Music - An interview with Ram Samudrala

- David "Skinny Devil" McLean
originally published at Tinfoil Music
Date: Friday, October 26 2001 @ 16:45:03 BST

Ram Samudrala is author of, among other important works, the "Free Music Philosophy" - which can be accessed via Ram's site (http://www.ram.org) or the EFF's site (http://www.eff.org). In essence, Ram's manifesto offers a unique and radical solution to the problems associated with copyright law and it's current abuse.

I had the opportunity to speak with Ram recently... 

1) Ram, how & when did you first get interested in copyright issues (specifically) and IP issues (in general)?

It probably began in 1990 or so, when I got into Unix, GNU Software, and the growing Linux movement. It came to a head after some exchanges on alt.music.alternative in 1994/1995 about the nature of music (which involved Bill Barbot of the band Jawbox who had just been signed to Atlantic, and later dropped). At this point, I decided to write the Free Music Philosophy.

2) Can you sum up the "Free Music Philosophy" and tell us if it has evolved since your original essay was written?

'GUITAR GODS: Troy Stetina''

- David "Skinny Devil" McLean
originally published at Tinfoil Music
Date: Monday, April 19 2004 @ 16:39:32 BST
 
If you play guitar, you've probably heard of Troy Stetina - author of over 30 instructional books for Hal Leonard, owner of Artist Underground recording studio, contributing writer for Guitar One Magazine, former director of rock guitar at the Wisconsin Conservatory... 

What you may not know, however, is that Troy has released three CDs of incredible music - music that you need to hear now.
 
Troy first picked up a guitar at the ripe old age of 12, learning songs by Kiss and Zeppelin. As he developed and learned increasingly difficult pieces (Van Halen, Ozzy's Randy Rhoads, and the like) he became interested in classical guitar and then in performing. He started his first band at 18 and was soon gigging constantly, and began teaching guitar.

"A Day in the Life: John Cubit - Diet & Work-Out"

-- John Phillip Cubit
Lexfit.com

Training location: Home Gym, my basement is converted into a gym.

My workouts at home are much more focused and productive than going to a commercial gym where most of the people there are having social hour. You don’t need a fancy gym or tons of equipment to exercise.

Training philosophy: Listen to your body - it’s better to under-train than to over-train. If I’m tired, I won’t workout that day. If I feel strong then I’ll push myself harder. I train usually 5 days a week for about 45-60 minutes which breaks down to 1 body part a week. My main focus is the eccentric, or stretch, part of the exercise. This is the part of the movement that tears down muscle fiber and with proper diet and rest, tissue will repair itself stronger and larger.

I do not do cardio or abdominal training period. My workouts consist of high reps using light to moderate weight with 30 second rest periods between sets. This type of training is my cardiovascular training.

Friday, August 3, 2012

"Isn't It a Funny World Nowadays?" (part 2)

"Isn't it a Funny World Nowadays?" by Caitlyn Waltermire 
part 2 of 3 installments- read PART ONE

3: 

Nearly everyone alive remembered when the streets felt different, because the rise and fall of the Automated Revolution happened so quickly.

A pretty couple attending a movie remembered the neon lights outside and the slick paper ticket stubs and the films that generally played without a hitch. So it smarted when the light tubes buzzed weakly or not at all, when the person shaped ticket-taker at the window didn’t understand their request because it wasn’t worded exactly and they were forced to settle for the showing it gave them, when the artificial butter ran down the side of the carton because the concessions-vendor missed the popcorn, when the lobby tile was greyish with grime that the tile-cleaner skimmed over, when the film was alright were it not for the failed audio sync and persistent grain from a dirty lens.

"A Day in the Life: Kieba Blacklidge - Diet & Work-Out"

- Kieba Blacklidge 
Body Temple Boot Camp

A typical day for me (without a camper to train or feed) might be:

½ cup organic coffee with raw milk, 1-2 cup fruit of some kind, and several slices fresh coconut.


Friday, July 27, 2012

Ootheca

"Ootheca" by Joshua McLean
part 2 of 3
also see Viral Creche and Nodal Point

"Ootheca" - Joshua McLean

Thursday, July 26, 2012

"Isn't It a Funny World Nowadays?"

"Isn't it a Funny World Nowadays?" by Caitlyn Waltermire 
part 1 of 3 installments

1: 

Frances might have been nineteen. She might also have been twenty-eight. Her eyes were black-green like Japanese beetle shells, set upon two pools of dark circles under her lower eyelids and against the bridge of her nose. Her hair was a nothing color, like weak tea or lake water, and the pieces that did not fall across her forehead were swept into a bun, cloudy and pleasing. She was long-boned and had a habit of imitating the laugh of whoever she was with. She worked as the only waitress in the city’s only diner.

The diner was rather yellow, from the walls to the plates to the toilets. Whether this was from use or intent of design, no one could remember. The spoons were literally greasy, due to incompetence of the dish-washers, and customers got into the habit of wiping their utensils on napkins before using them; (it was better than complaining at a metal face). A television with a very large screen hung on the wall everyone was expected to turn to. Usually it showed speeches or debates or speeches about debates, but today a man had been arrested for attempting to rape a female-looking machine in transit to the office where it worked, and this made for interesting news until expensively-suited people decided to fill all the stations debating the ethics of it. A man chuckled into his pie and said, “Isn’t it a funny world nowadays?” but no one heard him.

Frances was with a different man, the one with peach-colored hair who sat carefully, with toes pointed at the floor, at the table by the door, a choice that she suspected meant a noncommittal spirit, but she was Romantic and always thought small things held greater significance. He kept watching her, expectantly, with a steadiness that made her ill. He looked at her mouth, two thin thin slips of pale ribbon that had never moved anyone.

''GUITAR GODS: Bernie Torme'''

- David "Skinny Devil" McLean
originally published at Tinfoil Music
Date: Thursday, April 15 2004 @ 16:17:15 BST

When Randy Rhoads dies tragically in March of 1982, Ozzy Osbourne was in the middle of supporting his second release, "Diary of a Madman". When he looked for a quick replacement, most guitarists shied away from the gig for fear of trying to fill Randy's shoes. One guitarist, however, was fearless, and his willingness to go where angels feared to tread opened the doors for monster guitarists like Brad Gillis, Jake E. Lee, and Zakk Wylde. His name? Bernie Torme'!

Torme', at that time, had been around for a bit on the European scene. The Irish born guitarist had cut his teeth in the clubs after having seen greats like Rory Gallagher and Gary Moore. He played in several bands and eventually joined Gillan (when rock vocal legend Ian Gillan left Deep Purple), then formed Atomic Rooster. It was then, in 1982, that Bernie hopped aboard the Crazy Train for a tour with Ozzy.