Pentatonic Chord Voicings
Alan Robinson
Hey everyone! It's time for a new lesson in chord voicing. For this lesson we are going to stay with the focus on pentatonic scales, but rather than seeing them as an actual scale we are going to create chords. Just like major and minor scales yield chords by stacking diatonic 3rds this process will be similar. Traditional harmony uses the following intervals to create triads: M3rd+m3d= Maj triad, m3rd+M3rd = min triad. There are three different formulas for pentatonic chords using the following intervals: M2+P5, m3rd+P5, m3rd+m6th. Note as a stand alone that I didn't identify these "chord formulas" as major or minor. The reason for this is that they are all related to a shared root and actually derived from the pentatonic shape more than the intervals that are yielded. Hopefully, this will make more sense as we move forward.
Let's work with Box #1 of the pentatonic scale. We will use E minor pentatonic for all examples.
Ex.1